The 8 Most Impressive Special Effects in 'Game of Thrones' History

Anyone who catch the Battle of the Blackwater or that dragon - fill last dead reckoning of Season 6 recognize thatGame of Throneshas created Modern expectations for genre boob tube . The HBO series ' Emmy Award - gain ground optical effect full realize the show ’s larger-than-life calibre in ways that , previous toThrones , were allow for big - budget blockbuster films . How complex do they get ? permit ’s take a look at the most impressive ocular effects in the serial so far .

The Battle of the Blackwater (Season 2)

The first two season ofGame of Thronestreated audiences to alien landscapes and elaborated CG Dragon , but the show ’s ocular impression were still in their babyhood . The penultimate installment took a gargantuan jump forward when Stannis Baratheon ’s fleet attacked in Blackwater Bay in a spectacular struggle chronological sequence maneuver by Neil Marshall ( The Descent ) . Stannis ' ship were met with a surprise wildfire approach , an effect by studioPIXOMONDOwhich made use of significant computer - generated fire pretense – tinct a signature green – that referenced historical moving-picture show of napalm explosion .

The dragons grow up (Seasons 3 and 4)

A few different visual - effects studios are responsible for creating Daenerys ' firedrake throughoutGame of Thrones , but as the beasts turn over their " teenage old age , " PIXOMONDO was responsible for the bulk of the work . The studio take film scenes of actress Emilia Clarke interacting with stand - ins – sometimes lawn tennis balls or a green ' stuffie ' – then composited in a CG dragon . To make the tartar fly , PIXOMONDO looked to eagle and bat references andalso uprise photorealistic peel and scale .

Death of Joffrey (season 4)

Joffrey ’s demise during the Purple marriage ceremony instalment in Season 4 ball over interview thanks to some of the serial ' more subtle visual effects . On readiness , artists practice constitution upshot to actor Jack Gleeson , whose boldness was then slightly augment with digital techniques to lend running ancestry and a deterioration bet to reveal the effects of him being poison .

Attack on the Night’s Watch (Season 4)

AGame of Thronesstunt rarely resort to 100 % computer - bring forth ikon . The approach was on show in the 2nd - to - last episode of Season 4 , in whichthe wildlings storm The Wall . The sequence involved large armies , a giant , a mammoth , and even an enormous scythe that cut down the wildlings as they undertake to scale the wall . Studio MPC would take veridical photography shoot near Belfast or in a studio and build digital environments and creatures , or use rescale techniques to add in the hulk and mammoth .

Bran & Co. fight the wights (Season 4)

In the final episode of Season 4 , Bran and his Three - Eyed Raven - seeking merry valet come at the heart tree diagram only to encounter several skeleton in the cupboard - like wights . A nail - biting blade and axe battle ensues , brought to life with actual performer dressed in partial prosthetic physical composition and tire greenish - screen suits . Visual - effect studioScanlinefirst had them break open out of the solid ground before taking the stunt performances even further by removing the green from their wearable and generating further bone and build to bring the wights to life .

Drogon rescues Daenerys (Season 5)

By Season 5 , the show ’s visual - effects set part and creature work had expand , culminate in a major successiveness in Daznak ’s Pit where Drogon deliver Daenerys after the Sons of the Harpy stage a surprisal onset . Both a digital arena and a CG dragon ( you thought it was substantial ? ) were the centerpieces here , manufacture by Rhythm & Hues . But not all of the effects were CG ; Drogon ’s ardor - ventilation was partly created by countersink off a mime flamethrower . animator painted in Drogon over the twist and footage of flaming stuntmen .

The Battle of the Bastards (Season 6)

The minute Jon Snow confronts Ramsay Bolton ’s ground forces , and a multitude of horses , is a drawn-out guesswork that does n’t seem to cut away ( whatGame of Thronesvisual - effects supervisor Joe Bauer dear call a " oner " ) . The succession was made possible by studio Iloura , which added digital horses , army gentleman , swords , and arrows into the live activity photography for one unlined – and nowEmmy - nominated– sequence .

Wildfire blows up King’s Landing (Season 6)

Wildfire returns in the last sequence of Season 6 , as Cersei Lannister ignites the confection beneath the dandy Sept in King ’s landing place and one - ups the Battle of the Blackwater . Rising Sun Pictures delivered this catastrophic farewell by progress digital King ’s landing place environs and destroying them with specialized CG tools that realistically model the destruction of unvoiced surfaces . The company even create digital man with all their internal organs so every detail could appear to be destroyed . The mark of the green - hued wildfire perhaps puddle the impact all the more annihilating – and impressive .

HBO